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ClayFeast Gulgong, Australia
29 April to 6 May 2001

The idea of a feast, from a potter’s standpoint, must surely include tableware that is valued, exciting, and reflecting of the personality of the artist who made the work. The enjoyment of any meal is enhanced by the serving dishes, the plates, cups and bowls used in the regular ritual of eating. The idea, however, to make tableware a focus of another event at Gulgong (following Woodfire ’89, Fire-Up ’92, Claysculpt ’95 and Hyperclay ’98) involves more than that. It is time, Janet Mansfield believes, to ensure that potters can make a living from the sale of their work. And, in addition to their one-off gallery or museum pieces, it should be possible that they could be inspired to make lively, innovative and imaginative tableware, individual pieces or sets, that would enable them to make a living at what they like to do; that is, work with clay, pigments and fire, in their own studios and at their own pace.

Jun KanekoTo this end, Mansfield has invited 13 master-artists from around the world to come to Gulgong, a town on the central tablelands of NSW, Australia, to work with potters, to talk and eat, look at ways we can enjoy the life of potters in the best way possible. The success of previous events could mean that an excess of 350 people could converge on this small town, bringing their work with them, meeting others with similar purposes: teachers, students, full-time potters, part-time potters, appreciators of the potter’s art. There will be demonstrations and lectures each day, hands-on decorating of the participants’ own work, firing the woodfired ‘merry-go-round’ kiln, exhibitions, happenings, and a few surprises as well. Each participant is invited to bring six pieces of tableware for a mammoth display in the Memorial Hall. They anticipate they will show thousands of pots on the theme of feasting.

David MillerThe masters leading the demonstrations will hold an exhibition of their work and, in addition, be on hand to supervise the participants decorating their own pieces to be fired with the involvement of everyone at Mansfield’s Morning View studio. John Gibson, author of the book, Pottery Decoration, and head of ceramics at the new school for ceramics and glass in Bornholm, Denmark, will lead a forum, in conjunction with Janet DeBoos, head of the ceramics department at the Canberra School of Art, for teachers and students. The town of Gulgong will host displays of pots in the shop windows and we plan a number of events that will involve active participation and discussion.

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